ALBUMS OF THE YEAR- 2018

Here we are again. Another December’s end, another Album of the Year list, and another note to say that there’s no way this particular list is definitive. But then, with so much music released in 2018 and so many different ways to hear it, I’m not sure that any list, even those that stretch to a top 100 releases, can claim to be so.

From the unique (anything Colin Stetson brought to life) and new (Vein’s taste of chaos), to the grand returns of Tim Hecker and, back after a decade in the wilderness, Hopesfall, past curios like the haunting Annihilation soundtrack, it seemed as if more essential records emerged than there were hours in the day to listen to them.

Instead these are the albums that made the greatest impact on planet Moderate Rock this year, the stuff that rolled around in our collective head the longest, the music that made 2018 just about bearable.

11 because Spinal Tap.


11. FOXING- ‘Nearer My God’
Imperfect. Outstanding.

10. THE LION’S DAUGHTER- ‘Future Cult’
Like John Carpenter crossed with Johnny Truant, this could be a mix
made especially for me. Hypnotic fury.

9. WILL HAVEN- ‘Muerte’
This doesn’t recapture the same molten metal magic as Will Haven’s
heaviest efforts but it isn’t trying to. This feels like a new phase for a
band at their best.

8. HOLY FAWN- ‘Death Spells’
The leap this band have taken from their first record to get here is
gargantuan.

7. YOB- ‘Our Raw Heart’
A paean to pain, a tribute to turmoil, an exhausting but essential effort.

6. FUTURE USSES- ‘An Existential Haunting’
A deep and rewarding, genre-defying, dizzyingly brilliant record.

5. YOUNG FATHERS- ‘Cocoa Sugar’
The singles stand out but this remains unique as it is cohesive. ‘In My
View’ is the song of the year.

4. RIVAL CONSOLES- ‘Persona’
Electronic music that feels alive and evil and peaceful and honest and…
just so unlike so much other electronic music.

3. NIGHT VERSES- ‘From the Gallery of Sleep
A stunning record. Somehow tightly-wound, confidently loose, deliciously
experimental and addictively catchy, all at the same time, it is as
rewarding on first listen as it is on the tenth

2. TENGIL- ‘Shouldhavebeens
This is an incredibly dense record, with something new to hear on every
listen. I feel like I could spend years with it and not catch everything that
went into its construction.

1. ROLO TOMASSI- ‘Time Will Die and Love Will Bury It’
Rolo Tomassi are excellent. But this, quite simply, is the best thing they’ve
ever done.

If you’ve already heard these, where did they finish on your list? If you haven’t, I hope you find something to love.

Shout out too to Vampillia for releasing if not the best then certainly the noisiest EP of the year, and to Lirr for the album I liked most this year that actually came out last year.

See you in 2019!

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